* Previously, a Macro Control's range settings were not correctly updated when that Macro Control was being controlled by a Max for Live device. * Fixed lagging that occurred in the browser's search field when the Sounds label was selected. * Fixed some minor errors in the MackieControl and MackieControl Classic control surface scripts. * Previously, an erroneous message would appear in the Status Bar when deleting an audio file within a folder in the Places section of the browser. * On macOS, when the AKAI APC Key 25 is detected by Live, its control surface script will now be automatically selected and set up. Bugfixes: * Fixed hanging that could occur when dragging a compressed sample into Live, under certain circumstances (macOS only). * Updated various info texts, and improved some info text translations for Spanish and French languages. * Chinese and Japanese are now displayed in their native languages in the Language chooser in the Look/Feel Preferences tab. When the Glue Compressor device is disabled, the text labels around rotary switches now stay in the same place. * When the Pedal device is disabled, the Pedal Type chooser switch now appears in the correct text color. After Max starts using GetColorWithAlpha, the colors also contain the correct alpha channel value. * Added more Live theme colors to Max for Live. Note: this is supported in plug-ins built with VST SDK 3.6.12 or higher. * Live now receives and routes MIDI CC, Pitch Bend, and Aftertouch events sent from a VST3 plug-in device to a MIDI-out bus. Metal support is disabled on OS X 10.11 ("El Capitan") due to issues with certain hardware setups. * On macOS, Live now uses Apple's Metal framework to present its UI on supported hardware. This firmware version fixes an issue that caused some displays to appear upside down. * Every Push 2 user will get a firmware update to v.1.0.71 if their Push firmware is older. New features and improvements: * Added support for the M-Audio Oxygen Pro control surface. And of course, it sounds great with guitars. The effect goes all the way from subtle to reckless-it excels at warming up vocals and other instruments, driving synth sounds or completely smashing drums. Pedal With separate circuit-level models of overdrive, distortion and fuzz guitar pedals, Pedal brings the character of analog stomp boxes to Live. Add warmth and distortion with drive and crunch, take control of dynamics with compression and transient shaping, dial in and tune boom and control bass decay with the dedicated low end section. Drum Buss Drum Buss is a one-stop workstation for drums, capable of adding subtle character or bending and breaking drums to your will. Drive and shape sounds with its analog-modeled filters, turn up the noise and wobble for vintage imperfections, or add modulation and reverb to create diffuse soundscapes, wailing feedback and more. Echo Echo brings together the sound of classic analog and digital hardware delays in a single device-your new go-to delay. Start sculpting sounds right away-even without a deep knowledge of synthesis-or explore its rich palette and potential through an intuitive interface. Shape, stretch and morph sounds using wavetables derived from analog synths, and a range of other instruments and sounds. Wavetable Immediately playable, infinitely capable, Wavetable is a new synthesizer built by Ableton. Create with new devices Meet Wavetable, Echo, Drum Buss and Pedal: new devices that mean colorful new sounds are possible with Live’s instruments and effects. And get the unlimited potential of Max for Live, seamlessly built in. ![]() Do even more away from the computer with Push. ![]() Stay in the flow with a multitude of workflow improvements. ![]() MacOS | 07 October 2020 | 2.04 GB Create bolder sounds with Live’s new devices.
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